A reimagining of the classic horror tale about Carrie White (Chloë Grace Moretz), a shy girl outcast by her peers and sheltered by her deeply religious mother (Julianne Moore), who unleashes telekinetic terror on her small town after being pushed too far at her senior prom. Based on the best-selling novel by Stephen King, Carrie is directed by Kimberly Peirce with a screenplay by Roberto Aguirre-Sacasa. (c) Sony R
Release Date Carrie Oct 18, 2013 Wide
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Actors For Carrie

Chloe Grace Moretz ,Julianne Moore,Gabriella Wilde,Portia Doubleday,Ansel Elgort,Alex Russell,Judy Greer,Zoë Belkin,Samantha Weinstein,Karissa Strain,Demetrius Joyette,Barry Shabaka Henley,Arlene Mazerolle,Evan Gilchrist,Eddie Max Huband,Tyler Rushton,Connor Price,Jefferson Brown,Cynthia Preston,Philip Nozuka

Genres Carrie : Horror

Visitor Ranting & Critics For Carrie

User Ranting Carrie : 3.3
User Percentage For Carrie : %
User Count Like for Carrie : 60,253
All Critics Ranting For Carrie : 5.4
All Critics Count For Carrie : 151
All Critics Percentage For Carrie : 49 %

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Movie Overview For Carrie
Carrie may be ostracized, but the shy teen has the ability to move objects with her mind. So when the high school "in crowd" torments her with a sick joke at the prom, she lashes out with devastating -- and deadly -- power.

TagLine Carrie

If youâ€™ve got a taste for terror, take Carrie to the prom.
Trailer For Carrie

Review For Carrie

Chloe Moretz is unnervingly talented, but Carrie is not a role she was born to play. She hasn't a victim's bone in her body and fluffs the early scenes.
Cath Clarke-Time Out

The new 'Carrie' underlines that Kimberly Pierce may be a good director of actors, but not a 'filmmaker' in the fullest sense of that word.
Joe Baltake-Passionate Moviegoer

It is a timeless thing for all of us, the ritual of high-school expectation and heartache. Once again, as it did nearly 40 years ago, Carrie turns it into an experience of biblical proportions.
Christy Lemire-ChristyLemire.com

The movie is very good, both as a first-order viewing experience and as a contemporary gloss on Brian De Palma's classic 1976 adaptation of Stephen King's novel.
Richard Brody-New Yorker

Rather than fixing some of the problems with De Palma's approach and trying something fresh, Peirce compounds them.
James Berardinelli-ReelViews

Peirce is gifted, but she lacks the ability of directors like DePalma to transform schlock into something deeply personal.
Peter Rainer-Christian Science Monitor

Peirce wants to make a hit, and, even with source material this strange, it feels as though she has. But if so, that's all she has made.
Wesley Morris-Grantland

Feels like someone copied a schoolmate's work and added a lot of their own occasionally enlightening but largely unnecessary scribbles.
James White-SFX Magazine

This classic worm-turns tale rights a few of the original's wrongs and offers a sad and scary performance by Moretz, although she's almost upstaged by Moore, whose misogynist Bible-bashing is more extreme than Piper Laurie's in the original.
David 'Mad Dog' Bradley-Rip It Up

This is a sturdy tale that deserves to find a new audience. It's just a shame they won't find anything new in the process.
Mark Kermode-Observer [UK]

The new Carrie is cowardly and artistically empty. If you avoid one movie this year, make it this one.
Tom Clift-Moviedex

It might be remade almost shot-for-shot, but times have changed since the `70s, and I personally think Peirce's clear agenda for updating its dominant themes is a welcome one.
Tim Martain-The Mercury

This cyber-age version didn't raise a single hair on the back of my neck.
Graham Young-Birmingham Mail

Begs that age-old remake-of-a-classic question of why even bother, even if the very capable actors do the best that they possibly can.
Michael Dequina-TheMovieReport.com

You would have trouble arguing for any significant shift in perspective.
Donald Clarke-Irish Times

It looks uncannily at home in 2013.
Charlotte O'Sullivan-This is London

This remake of the classic 1976 horror film can't match the original, but this is still a great Stephen King story about hormonal confusion and religious fervour.
David Edwards-Daily Mirror [UK]

It's perfectly watchable, but I've been more scared at a vicarage tea party.
Brian Viner-Daily Mail [UK]

The special effects may have moved on over the past 40 years but virtually every other aspect of the film is inferior to its predecessor.
Allan Hunter-Daily Express

Effective teen horror with bags of character - think Mean Girls with buckets of blood, only maybe not quite as much of a masterpiece as that would suggest.
Catherine Bray-Film4

This glossy modern horror refit is a pale shadow of Brian De Palma's seminal 1976 film.
Adam Woodward-Little White Lies

The basic tune is recognisable, but it's played all wrong.
Rob Daniel-Sky Movies

An engaging and worthwhile new take on De Palma's blood-soaked classic.
Andy Lea-Daily Star

The best thing about this worthwhile update of Brian De Palma's classic 1976 film adaptation of Stephen King's first published novel is the way it dials up the hot-button theme of bullying...And the worst thing? The film totally pikes out at the end.
Jim Schembri-3AW

Moretz replicates Laurie's pixie-featured Medusa gaze while Moore does the Spacek flayed-skull look.
Nigel Andrews-Financial Times

What the movie loses in kicky sensationalism, it sometimes gains in psychological nuance.
Tim Robey-Daily Telegraph