Two-time Academy Award (R) winner Ron Howard (A Beautiful Mind, Frost/Nixon) teams once again with two-time Academy Award (R)-nominated writer Peter Morgan (Frost/Nixon, The Queen) on Rush, a spectacular big-screen re-creation of the merciless and legendary 1970s Formula 1 rivalry between gifted English playboy James Hunt (Chris Hemsworth of The Avengers, Thor) and his disciplined Austrian opponent, Niki Lauda (Daniel Brühl of Inglourious Basterds, The Bourne Ultimatum). (c) Official Site RRelease Date Rush Sep 27, 2013 Wide
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Actors For Rush
Chris Hemsworth,Daniel Brühl,Olivia Wilde,Alexandra Maria Lara,Pierfrancesco Favino,David Calder,Natalie Dormer,Stephen Mangan,Christian McKay,Alistair Petrie,Julian Rhind-Tutt,Colin Stinton,Jamie De Courcey,Augusto Dall'ara,Ilario Calvo,Patrick Baladi,Vincent Riotta,Martin Savage,Jamie Sives,Simon TaylorGenres Rush : Drama,Action & Adventure
Visitor Ranting & Critics For Rush
User Ranting Rush : 4.4User Percentage For Rush : 94 %
User Count Like for Rush : 28,653
All Critics Ranting For Rush : 7.6
All Critics Count For Rush : 172
All Critics Percentage For Rush : 88 %
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Movie Overview For Rush
A biography of Formula 1 champion driver Niki Lauda and the 1976 crash that almost claimed his life. Mere weeks after the accident, he got behind the wheel to challenge his rival, James Hunt.TagLine Rush
Everyone's driven by something.Trailer For Rush
Review For Rush
If you don't already know the story of that season, lucky you; even now, it exerts a ridiculous thrill.Anthony Lane-New Yorker
Rush is an outsize Hollywood spectacle about two outsize personalities in conflict, a sleekly assembled thrill machine that makes up in excitement for what it lacks in nuance.
Dana Stevens-Slate
Rush is not a particularly deep film. But more importantly, it is not a film that mistakes itself for deep. And this self-knowledge makes Rush, in some ways, a wiser film than many that aspire to loftier goals.
Christopher Orr-The Atlantic
This is a deeply adult drama, not least because Howard shows the costs of being so driven in a sport in which a driver is encased in a potential fireball.
Lisa Kennedy-Denver Post
One thing's for sure with this film: You carry the "Rush" out of the theater.
Tom Long-Detroit News
Rush has an elemental simplicity about it. Two men in competition, driven (so to speak) to win. They are enemies. But they need each other, too, and as they roll around at 170 m.p.h., they come to understand why.
Steven Rea-Philadelphia Inquirer
Rush is Howard's most exciting, compelling, and utterly entertaining film in years, and feels like a movie made by a much, much younger filmmaker.
Erin Free-FILMINK (Australia)
Morgan knows his stuff behind the wheel, but also is smart enough to realize the more compelling drama comes off the track.
Todd Jorgenson-Cinemalogue.com
The script is another Peter Morgan special. Like, say, The Queen and Frost/Nixon, it's a speculative duet built around a moment of newsworthiness.
Wesley Morris-Grantland
One of the best films this year - or any year. Certainly the finest film about auto racing I've seen because it focuses on the human element.
Pete Hammond-Movieline
A compelling, high-octane thriller, literally and figuratively!
Kam Williams-AALBC.com
Easily Ron Howard's best film in years, Rush is a thrilling example of populist cinema at its best.
Stephen Carty-Flix Capacitor
[It's] about auto racing... but it's much more interesting in showing how two men compete with each other without losing their souls in the process.
Daniel M. Kimmel-New England Movies Weekly
There is an essential decency to all Howard's movies, and Rush is no different.
Tony Macklin-tonymacklin.net
A movie that reminds us what a great storytelling medium film can be.
John Wirt-Advocate (Baton Rouge, LA)
One of the best films of the year
Louise Keller-Urban Cinefile
A thrilling, adrenalin-fuelled ride that recreates 1970s track-side action with aplomb.
Ed Gibbs-The Sun Herald
Howard's most accomplished film to date.
Rob Vaux-Mania.com
Car culture fits quite nicely in the Ron Howard catalog, and Rush allows the filmmaker to get back to that milieu.
Matt Brunson-Creative Loafing
This is Howard's most assured film; it brims with life - and death - and he executes it with a degree of precision and confidence that mirrors the approach his characters take toward living, that of being constantly on the edge.
Charles Koplinski-Illinois Times
Howard pulls off a dramatic switcheroo in "Rush." He presents characters in competition, one a golden god, the other a repellent Ratso - and by the end, we root for Ratso.
Burl Burlingame-Honolulu Star-Advertiser
But rather than being about the cars and the game, Rush is more about the personalities that dominated Formula One racing in the 1970s.
Kevin Carr-7M Pictures
The British Hunt is Maverick to the Austrian Lauda's Iceman, the Michael to his Sonny, the id to Lauda's superego.
Nell Minow-Beliefnet
Movie Images Rush
Old school grandfather Artie (Billy Crystal), who is accustomed to calling the shots, meets his match when he and his eager-to-please wife Diane (Bette Midler) agree to babysit their three grandkids when their type-A helicopter parents (Marisa Tomei, Tom Everett Scott) go away for work. But when 21st century problems collide with Artie and Diane's old school methods of tough rules, lots of love and old-fashioned games, it's learning to bend - and not holding your ground - that binds a family together
Celeste (Rashida Jones) and Jesse (Andy Samberg) met in high school, married young and are growing apart. Now thirty, Celeste is the driven owner of her own media consulting firm, Jesse is once again unemployed and in no particular rush to do anything with his life. Celeste is convinced that divorcing Jesse is the right thing to do -- she is on her way up, he is on his way nowhere, and if they do it now instead of later, they can remain supportive friends. Jesse passively accepts this transition into friendship, even though he is still in love with her. As the reality of their separation sets in, Celeste slowly and painfully realizes she has been cavalier about their relationship, and her decision, which once seemed mature and progressive, now seems impulsive and selfish. But her timing with Jesse is less than fortuitous... -- (C) Sony Classics
The most popular fashion dolls in America make the leap to the big screen in this live-action adventure that follows four diverse teenage girls who make the jump from middle school to high school, only to find that their four-part friendship doesn't fit into the rigid clique system at their new institution. Fed up with being torn apart, the girls each reject the their respective cliques and reclaim their own group where friendship takes precedence over popularity. Unfortunately, this causes the school's tyrannical student-body president to blow a gasket, and it looks like they'll have to fight hard for their place in the crowd. ~ Jason Buchanan, Rovi
The Brass Teapot is a modern fable about money and the meaning of the American dream. Based on the comic book, The Brass Teapot is a feature film about John (Michael Angarano) and Alice (Juno Temple), who live in small down America. They are in their 20's, married, very much in love and broke. Once voted "Most Likely to Succeed," Alice struggles to make ends meet while her friends enjoy the good life. Her husband John, neurotic and riddled with phobias, just wants to get the bills paid. But an accident leads them to a roadside antique shop where Alice is spontaneously drawn to a mysterious brass teapot. It isn't long before they realize that this is no ordinary teapot and that perhaps they have found the answer to all of their financial woes. The Brass Teapot is a magical comedy that reminds us to be careful what we wish for. (c) Magnolia
In this blend of psychological thriller and courtroom drama, Emily Rose (Jennifer Carpenter) is a 19-year-old college student who begins displaying bizarre and troubling behavior; as her actions become increasingly destructive and shocking, Emily begins speaking in strange tongues and destroying religious symbols that surround her. Emily's parents believe that their daughter has become possessed of the devil, and the Catholic Church agrees to authorize an exorcism of the young woman. As Father Moore (Tom Wilkinson) attempts to drive the demons from Emily's body, the girl dies in the midst of the taxing ceremonies, and Father Moore finds himself charged with negligent homicide. Attorney Erin Bruner (Laura Linney) is hired to represent Father Moore against prosecutor Ethan Thomas (Campbell Scott), who intends to prove there were concrete medical explanations for Emily's behaviors, including epilepsy and schizophrenia, all leading to a heated courtroom debate between the notions of faith and science. The Exorcism of Emily Rose was inspired by the real-life story of Anneliese Michel, a young woman from Germany who died in 1976 after priests in Wurzburg spent eight months attempting to exorcise demons from her body. ~ Mark Deming, Rovi
